Showing posts with label Brazilian free-tailed bats. Show all posts
Showing posts with label Brazilian free-tailed bats. Show all posts

Friday, December 18, 2015

Dawn of the Bats



I created this logo for Carlsbad Caverns National Park to promote their Dawn of the Bats special event! Millions of people have seen the spectacular out-flight of Brazilian free-tailed bats from the cavern's natural entrance in the evening. Much fewer have seen the awe-inspiring IN-FLIGHT, which takes place near the break of dawn. With a belly full of moths and beetles from the night's hunt, each bat, individually, rises high above the natural entrance, tucks her wings in and dives into the void at high speed. A loud cascade of VWOOSH sounds accompanies the dives--even a tiny animal can make a big noise if she swoops fast enough. Inside the cave, each mother bat will use sound, smell, and touch to locate her own pup and nurse him, converting the tasty insects into nutritious milk for the baby. The adult male bats, having only themselves to sustain, will probably get more sleep for the day. The next night, the adult bats will fly out again, while the babies stay clinging to the ceiling together in the "nursery" and peep back and forth, perhaps dreaming of the outside world which they have not yet come to know.

My logo will appear on the park's Facebook page, as well as fliers and advertisements for the special event. I wish good luck to the bats, rangers, and visitors at Carlsbad Caverns!

I produced the logo as an outside illustrator, not as a park employee, so the image is copyrighted to me and the park has permission to use it.

Friday, August 9, 2013

First Contact in Ancient New Mexico


In recent travels with my parents, I experienced more of the great state of New Mexico—the state which looks and feels like the set of a science fiction movie. I'll have more to say about the otherworldly frontiers of the land of enchantment soon. For now, I'll share a piece of my own science fiction art, inspired by New Mexican artifacts.

At Three Rivers Petroglyph Site, near to Alamogordo, the rocky hills are docrated with more than 21,000 glyphs, chiseled into stone by the Jornada Mogollon people, between 600 and 1100 years ago. The images feature birds, insects, mammals, humans, circular symbols, abstract geometric patterns, and animals with geometric patterns on their bodies. A trail winds through the gallery of stones, and gives us a rare and up close view of the mysterious artwork. So many centuries hence, it is hard to know the meanings of images—archeologists and others can make but educated guesses.


We observed a bug-eyed creature, etched in the stone. We speculated that it was a record of humankind's first contact with aliens, centuries before the Roswell incident. I imagined what such an event might look like, and recorded this dream in my sketchbook.


UPDATE on previous post: After the rainstorm, the mighty thunderhead of bats rose from the cave. Evidently, the rains brought out more insects, and brought more bats from other regions for a stay over in our bat cave, just as the inns in Portland become crowded with travellers when a convention on local organic food takes place. Unfortunately for us, the additional bats didn't stay at our cave for long, and we have returned to a small but captivating nightly exodus of bats.


CURRENT EXHIBITION: On August 10 and 11, I am exhibiting at Portland Zine Symposium (Oregon), alongside fellow artist Lesley McClintock! I shall exhibit and sell my comic books Frog Stories, The Raven and the Crayfish, and others, as well as posters (Thunderbird!) Lesley shall offer prints, illustrations, and paintings, taking inspiration from Crater Lake and the forests of the Pacific Northwest. It shall also be great to see my comrades Chris Seigel and Nolan Calisch of Wealth Underground Farm!

Topmost photo by © Susan Moyle Studlar

Wednesday, June 26, 2013

Encounter with a Wild Tarantula




By evening at Carlsbad Caverns, people gather about the outdoor amphitheater before the cave's natural entrance, to witness the nightly mass exodus of Brazilian free-tailed bats. When conditions are right, a spiraling funnel cloud containing hundreds of thousands of bats emerges from out of the cave, and rises high into the purple and orange sunset sky. I have not yet witnessed the “bat tornado” in its full glory; bat flights this year have, thus far, been on a smaller scale; some have included a thin but steady stream of the flying mammals. (We do not know the reason for the smaller number of bats, but drought could be a factor.)

At the outdoor amphitheater, some people (especially children) are often distracted by another denizen of the desert. A brown hairy beast, gigantic—for a spider. Tarantulas commonly pass through the theater, or stop for a rest from their evening prowl. Male tarantulas are especially common, as they make their walkabout in search of a mate. Their partnership will be brief. After mating, the male must flee from the hungry female.

I have, a few times, joined the tourists and pointed my camera at the great spiders. I followed one for a good walk, in search of a better photo. And then I found myself, and the tarantula, right outside the door of the men's restroom. I thought this a potentially dangerous spot for the arachnid. A man's boot might squash the poor beast, accidentally or on purpose. And so I pondered how to relocate the spider. When I was ten years old, I acquired a Chilean rose tarantula, whom I named Espigah, for a pet. I sometimes “held her” by allowing her to crawl on my hand. Luckily, I decided not to attempt the same technique in this setting. Instead, I tried sliding my boot next to the tarantula, to encourage him to move. Evidently, the spider thought my intentions were hostile, and responded accordingly. He rose up, with several front pairs of legs in the air and fangs on display, the classic tarantula threat posture. I needed a different strategy. I thought that perhaps I could slide a newspaper under the spider and move him without causing disturbance. As I reached the newspaper towards the arachnid, he rose in threat again and struck the paper with his fangs. The bite sent vibrations through the pages to my hand, a safe distance away. I decided to leave the spider be, to fend for himself should the need arise. Perhaps I had discovered a difference between wild and domestic tarantulas. This fellow seemed to be more inclined to defensive reaction than my pet tarantula was. (Although Espigah did once throw a cloud of urticating hairs in response to a girl's scream.)

Understandably, I had started the confrontation, as far as the spider was concerned. These hairy beasts are quite harmless, when left unmolested. (And even if they are provoked to bite, the venom has no serious effects, for most people.) They are a joy to observe, in the desert wanderings, with their smooth coordination of all eight legs, which suggests a slow jazz rhythm.

Like all animals, tarantulas must eat. From time to time, their fangs sink into beetles or crickets or small lizards. In the right circumstances, small mammals are also fair prey. And so I have drawn a tribute to the big spiders, with their skill at predation. On the sand and rocks, in the cool desert night, beneath the light of full moon, the tarantulas thrive. Like the cacti and the bats, the ring tails and the roadrunners, they are an essential part of the desert.