Wednesday, November 24, 2010

The blood of turkey on my hands


I have always loved animals. I have never been a vegan.

Although I consume dramatically fewer animal corpses per year than the average American, I have never been disciplined enough to completely purge animals or their products from my diet. I am somewhat ambivalent about the ethics of eating animals. Sometimes I agree with Peter Singer: his arguments against killing animals seem impeccable. Other times, my view is closer to that of Michael Pollan, that raising animals for meat, if done right, can be ecologically sustainable and good for animal welfare.

Every year, I have eaten turkey at Thanksgiving. This year, I 'met my meat' most directly.

Some friends in Seattle, many of whom are graduates of The Homestead, have a Thanksgiving tradition of obtaining live turkeys from a local free-range farmer, and butchering them personally. This year, I joined the effort. My initial plan was only to help with setup, takedown, and 'dressing' the birds.

For this narrative, I have given pseudonyms to my friends and associates.

It was an unusual day for Seattle. Below freezing, four inches of snow on the ground, light snow still falling. By weather, it felt like The Homestead (Ohio) in the winter.

Byron had obtained seven turkeys from a local farmer a few days prior. (We had multiple Thanksgiving dinner tables to cover.) They were fine and healthy animals. They clucked and strutted about in a pen in the backyard.

Seven persons were present. (I am not trying to sound Biblical; my numbers are accurate.) We set up the chopping block, with two nails close together pounded into it. Prepared some pots of hot water, tables and tools for dressing the birds.

Byron went into the pen, came back holding a turkey, upside-down, by its legs. Chickens and turkeys 'mellow out' when upside down; it seems to be an autonomic response. Some birds in high stress can resist the inversion sedative. This bird did just that, flapped and squawked, shed feathers; they drifted to the ground. But Byron held its legs tight.

Then he put its neck between the nails, pulled it taut. And Moab brought the axe down, missed on the first two attempts, severed the head cleanly on the third. Byron held the bird upside down as it thrashed with death throes and spattered blood all over the snow. And then he fetched the next bird. He moved efficiently, and without hesitation. He was a 'man on a mission.'

The turkey's head remained on the choppig block. Its beak continued to move as though still clucking for up to two minutes after decapitation. Someone removed it from the block and tossed it into a bucket, for the compost. (Seattle's municipal composting can even take meat and such.)

Jaya took the second turkey. I encouraged her to take several practice swings before we put the bird on the block, as she was less familiar with the axe. I was quite familiar, because I split a lot of wood in my Homestead days (and still split wood these days when the opportunity arises). She decapitated the bird. Commented that she felt her stomach fall to her knees when she did.

Byron asked me to volunteer. I asked if we had other volunteers. Adair stepped up.
Being a Homestead-trained splitter of wood, Adair cut through the bird's neck on first swing. Adair was also a religious vegetarian in his Homestead days, with some of his inspiration and reasoning based on Hinduism. I must find out what inspired his 180 degree shift.

Jeb volunteered to hold the birds in the chopping block setup while others delivered the final blows. Senga stepped up to the plate. I offered her too, a bit of coaching. I explained how chopping through wood or flesh is like baseball--keep your eye on the target. And Byron noted the need for weight on the blow as well as accuracy. (For many, the greatest dread when stepping up to the block is that one might misfire and cut but not kill on the first hit, and cause additional suffering.)

Byron then told me "two birds left, one for each of us." I took the axe with little hesitation. Byron held the bird fast. I said, "Turkey, I thank you for your blessings. And I apologize that the cycles of life are sometimes so grisly."

I began with the axe-head by my feet and swung it above my head and down onto the target in a continuous motion, like chopping wood. The axe bounced off the bird's neck, the blow accurate, but too light. I very quickly squared back up and delivered a short, solid hit. The bird's head was severed and blood gushed forth from its body, and added to the growing patch of spattered dark red on the snow.

Byron killed the last one with a short, precise, forceful swing. Like a pro.

We immersed the birds in hot water, plucked, eviscerated. They very quickly started to look more like turkeys at the grocery store do, and less like those on the farm. They have many feathers, and plucking every last one is quite a task. The removed innards smell foul.

It seemed strange how polite we were with sharing the tools around and not stepping on each others' feat when we cut up the dead turkeys. Ironic that we are so dignified to each other, after such violence to our fellow animals.

Adair and I examined the birds' anatomy as we dissected our respective turkeys. We noted the radius, ulna, bicep, windpipe, lungs, and whatever other features we could identify--all of which humans share, in slightly modified forms. Somewhere in the past, we and the turkeys have a common ancestor. Hence, we dissected our relatives.

I assisted with the slaughter of a small flock of chickens eight years ago. That was emotionally harder, in part because I had raised the birds and known their personalities. Then, I did not deliver the fatal stroke myself, but tied one bird in place so that it could be delivered. And so felt that I was part of the deed.

This was the first time that I personally dealt a bird its deathblow. A number of rationalizations went through my head before I stepped to the chopping block.

Among them:

"The turkeys are going to die today, regardless of who brings down the blade. I can volunteer my wood-chopping skills and deliver these birds a swift and expedient death, and minimize suffering."

(I do wonder if executioners of people use similar reasoning--'They'll die anyway, if I don't pull trigger someone else will.')

"I was raised a Lutheran (Christian), but am very skeptical about what they told me in church. I don't think that I must fear God's punishment. Besides, most Christians I know are hardcore meat eaters. Killing animals isn't such a bad thing, in their worldview."

Another bit of philosophizing that came to me as I cut up the turkeys is that I have no right to complain about any of the minor things that I sometimes complain about. I am so much better off than the turkeys, who are now dead.

I have a great deal to be thankful for this Thanksgiving.

Sunday, October 31, 2010

Halloween 2010




...Ross as a one-eyed, one-horned, flying purple people eater.

Happy Halloween!

Thursday, October 28, 2010

The Midgard Serpent


I have always been rather fond of Halloween, being a holiday to celebrate monsters and the like. It is Halloween all year in my sketchbook, which I populate with strange beasts. Here is a depiction of the Midgard Serpent, the monstrous snake that encircles the Earth, according to Norse myth. He is Thor's arch-rival, and the two shall battle to the death at Ragnarok, the battle to end the world. (And no, it won't happen in 2012.)

Happy Halloween!

Saturday, October 9, 2010

Reflections on Crater Lake 2010, part two: experience and inspiration


Crater Lake remains an awe-inspiring place, whether you are seeing it for the first or the five-hundredth time. Visually spectacular, scientifically unique, sacred from many perspectives. Prompts contemplation among Native Americans on the mystic powers of the waters, and contemplation among white men on the presence of fish, variation in lake level, and whether the lake freezes.

Being a ranger and interpreter, it has been my charge to share the wonders of Crater Lake and the surrounding old-growth forest with the world, through boat tours, trolley tours, guided hikes, talks from the rim, roving interpretation, and campfire presentations.


My iconic ranger photo atop Mount Scott, the highest point in the park, at almost 9,000 feet.
The Klamath call the mountain Muckwulx, “a place where chiefs sleep.” To them, it is a place for vision quests. To tourists, it is the only place where one might fit the entire lake into a camera's viewfinder.


A boat tour, with me at front, visits the waterfalls in Chaski Bay.


The sunset from atop Watchman peak.


The plunge into Crater Lake. The water is *$@#($#*( cold! (I understand if you consider me to be cheating by wearing a wet suit, but for me the suit makes a bit of swimming possible. Without it, one jumps into the lake, and then right back out.)
I managed to get out for one day with the trail crew. It was a rewarding day of clearing for the new Pleakney Falls trail (apologies if I mispelled the name). Turning the volcanic earth of Mt Mazama into a trail, especially one accessible to people with disabilities, is no easy task. We used leverage, technique, and a bit of brute force to clear massive rocks from our path. It is quite rewarding to see a rock go crashing down the hill, after much effort by rock bar and muscle.

Towards the end of my season, we had summer weather in late September (clear and sunny), producing astounding reflections on the lake (to which my photography does not do justice; nonetheless, the view from the Phantom Ship Overlook.)


And thus I conclude my reflections.

My thanks to the unnamed tourists who shot the various photos of me. (The scenery photos are by yours truly, and the trail photos are by Kara Reinhardt.)

In other events, coming up is 10/10/10, a day to take action for a better world, by participating in a local project to mitigate global warming. Find one near you. (I will be aiding the harvest of Wealth Underground Farm in Portland.)

I have now moved to new locations, and so shall my blog. Coming soon... scary drawings, and notes on scarier world events.

Monday, October 4, 2010

Reflections on Crater Lake 2010, part one: art show

My time at Crater Lake has come to an end, once again. I do not know whether I will return, and do not know what I am doing next. I was in a similar situation previous two times I made my exodus from this grand park. There is some sadness every time I turn in my badge and radio, and a combination of reflecting on the past and contemplating the future.

This season has been short (only a little over three months) but busy. Especially since August, I have been going almost non-stop. Among my many projects in this short time: the first-ever Crater Lake National Park staff art show. (First-ever as far as I know, anyway.)

I took the lead in organizing, with instrumental guidance and assistance from our dynamo of an Education Coordinator, Linda Hilligoss. Twelve staff artists displayed work in the show. Over 600 park visitors attended, by a very conservative estimate. Our efforts were documented in the Herald and News of Klamath Falls.

I was simultaneously honored to have my own work on display, and impressed that there was so much artistic talent in our staff. Once I announced my intentions across park headquarters, the artists started coming out of the woodwork, with captivating images to show me. To name a few: Fire Management Officer Greg Funderburk had mystical-looking photos of Crater Lake in the winter, with Wizard Island covered in snow and the lake shrouded in fog. Ranger Dave Harrison had skillfully rendered watercolor paintings of scenes from the coast. Lesley McClintock, an art teacher from California who volunteered this summer as a ranger at Crater Lake, had accurate and attractive illustrations of the park's geologic features and wildlife (including the spotted owl on our NPS flyer above; the Raven over Crater Lake is by yours truly.) I hope that the art show becomes an annual tradition.

Ross Wood Studlar and his artwork

My personal Artist Statement for this show:

“At Crater Lake, one is awed by the forces of nature. Volcanoes, glaciers, earthquakes, blizzards, lightning storms and forest fires have all left their mark upon this landscape, and made it what it is today. The mythic beasts of my illustrations interpret the powers of nature metaphorically. I take some inspiration from Native American Legends, as native peoples are great interpreters of earth's might and wonder. On display is the three-part “Llao vs Skell,” an interpretation of the Klamath Legend on how Crater Lake formed. Also there are scenes from my book The Raven and The Crayfish. It is an original story that re-envisions the mythic guardian of Crater Lake. My “Thunderbird Over Crater Lake” is inspired by a lightning storm which sent I and a boat full of tourists to hide in the shelter on Wizard Island. “The Unlucky Pika” is a tribute to the cute but heat-intolerant member of the rabbit family. With Global Warming, the Pika's survival is in question. My drawings are pen-and-ink or scratchboard, which I scan and modify digitally.”

"Thunderbird Over Crater Lake"


Coming up, some reflections on the season as a whole, to conclude my recent string of Crater Lake-related posts.

Thursday, September 30, 2010

Ross meets the Klamath tribe

Lahoma Schonchin of the Klamath tribe and Ross Wood Studlar of the white men,
Ross having presented his book The Raven and The Crayfish, which is inspired by Klamath legends.
Photo by Ranger Dave Harrison, used with permission.


The Crater Lake Trust hosted a special Family Fun Day on September 25th, 2010, which featured drummers, dancers, and storytellers from the Klamath tribe. It took place at the rim of Crater Lake.

The Trust hailed the NPS to recruit a Ranger to give a short presentation on the lake's geology and scientific significance, to complement the Klamath perspective. By the luck of schedule, that honor was assigned to me. I welcomed the opportunity to meet the first denizens of the Crater Lake region, and to share with them my Raven and Crayfish, which is so inspired by their stories. (I have met Klamath folks a few times before and listened to their perspective, but have never been brave enough to share my artistic interpretations with them... until now.)

I introduced myself to the public as follows....

“Hello I'm Ranger Ross, and before I begin my talk I must say that I am honored to have members of the Klamath tribe here. They are the true discoverers of Crater Lake, and the first people to inhabit this area. Although their perception of Crater Lake and that of most members of the National Park Service may not be the same in every detail, there is an underlying theme in common. Both parties see Crater Lake as a very special place. I would even go so far as to say that we, like the Klamath, see Crater Lake as a sacred place. I have long been fascinated by the Klamath stories about this landscape, just as much as I am with its geology and biology. I share their stories with visitors wherever I can. I have even drawn illustrations to their stories. I even wrote a book, my story about Crater Lake, which borrows elements from some of theirs. Ordinarily, when I do my presentation about the origins of Crater Lake, I give the Klamath perspective as well as the geology. But today, since the Klamath people are here to speak for themselves, I will omit the former. And without further ado, I present the origin of Crater Lake, according to geologists....”

I told the tale of how Mt Mazama became Crater Lake, and then turned things over to the Klamath. Lahoma Schonchin commented on the special significance of Crater Lake to the Klamath tribe, and introduced the performers. Then commenced the drumming and dancing. The ages of the Klamath people involved in the festivities ranged from three to senior citizens. The dancers wore their traditional regalia.

During the intermission of the dancing and drumming, Lynn Schonchin, a senior member of the tribe and father of Lahoma, took the stage and noted that he appreciated my presentation and it was interesting, but that he would tell the real story of how Crater Lake formed. His story was a version of “Coyote in Love with a Star.” He also commented on the sacredness of Crater Lake's water, and his people's traditions of drinking it for strength.

I have not yet heard any two Klamath people tell exactly the same story about the formation of Crater Lake. My favorite Klamath legend is “The Origin of Crater Lake” as it appears in Indian Legends of the Pacific Northwest by Ella Clark. This story was originally recounted by the Klamath Chief Lalek to the young white soldier Willam Colvig in 1865. It tells of the battle of the ages between the Chief of the Below World and the Chief of the Above World... and has AMAZING parallels to the geologic explanation for how Crater Lake formed. Not all Klamath stories are as close to the geology, but most have one notable thing in common... they describe a high mountain, which collapsed into the ground to create a gaping hole, which filled with water to become Crater Lake. Geologists long debated whether Mt Mazama blew apart or fell into the ground, and finally concluded that the mountain “fell in”--just as in the legends.

After the ceremonies, I presented one of my Raven and Crayfish to the Klamath folks. They were enthusiastic to receive it. I shall find out if they have any especial comments.

Notably, my book now has an ISBN number. It is 978-0-615-38888-5