Thursday, June 26, 2014

Cascade Springs, in bright green and yellow

Ralph Waldo Emerson said “the earth laughs in flowers;” Gary Larson pointed out that the earth engages in sexual activity through flowers. Whether your leanings are emotive or biologic, there are a lot of beautiful wildflowers at Cascade Springs in Uinta National Forest, Utah. This past Saturday, it was my duty to deliver a guided walk at this verdant artesian spring (even though I work for the National Park Service.) The American Fork Canyon hosts a rare level of cooperation and partnership between the U.S. Forest Service and the National Park Service: Forest Rangers join the staff of the National Park Service visitor center, and Park Rangers deliver guided programs in National Forest areas. (The USFS and NPS belong to separate branches of the federal government, and have very different approaches to land management. Look it up on Wikipedia to find out more.) 


In preparation for the guided event, I visited Cascade Springs solo, and created the watercolor painting at the bottom of this page. Against the backdrop of purple mountains, the springs are quite full of yellow monkeyflowers, with aspen and water birch growing about the shoreline. Stellar's jays, hummingbirds, and western tanagers fly through and about; dragonflies dart through the skies in pursuit of tasty mosquitoes, occasionally a rubber boa slithers past. I took note of a web in the bush, the home of a tiny, almost translucent spider. I watched a small insect (I'll say a tiny moth) land in this web, and become tangled in its strands. The spider coiled back, and felt the web strands, to assess the situation. She prepared to spring into action. I got ready to see the drama of life and death which pervades nature at all scales, from spider and insect to grizzly bear and caribou. The moth thrashed about, ripped free of the web, and flew off. Also at all scales, the prey escapes most of the time.


My students a few days later were a few families and and a middle-aged couple. The kids were glad to learn about some trees and insects, and the art and science of field watercolor painting. (Or en plein air if you want to sound like a fancy artistic type.) And their mothers were not too proud to join and give it a try. I had one school teacher on vacation on board, and she could not resist but to jump in and help out with all setup and take-down. 


My next task was to rove Cascade Springs, and entertain questions and complaints which I wasn't much prepared to answer about entry fees for the Forest Service area. I also listened to gripes about the absence of running water (for the drinking fountains and bathrooms) at the Springs. I too was a bit puzzled as to why the water was still shutoff for winter, even on June 21st. I noted that I was of a different agency, then moved further from the parking lot and sought areas where there were more trees and fish to discuss. There is always a bit of tumult in the oasis, and that is why we have rangers.




Wednesday, June 18, 2014

The original interpretation of Wind Cave (and some new and youthful renditions)



Out of the blue, our physical scientist at Timpanogos Cave informed me that Wind Cave has a new sign up at its entrance. I was not involved in this project. The sign is great! While Wind Cave has many intriguing stories from the annals of its geology and history, perhaps none of these have the emotional potency of the Lakota genesis. The Lakota people claim Wind Cave as their place of emergence, and that of the buffalo (bison). To them, the bison is the living spirit of Tatanka, the shaman who sacrificed himself so that the people could live. This makes every bison meal and every block of pemmican a sort of Eucharist for Native Americans. In the new sign, members of the five tribes affiliated with Wind Cave explain the sacred site in their own words:



Although I cannot match the power of their interpretation, I wish to share some murals, which I and our visiting youngsters created together at Wind Cave. Each of these pictures accorded with one of our lessons in the Adventures in Nature winter educational programs. The kids colored the mural as a sort of warm-up, before undertaking a series of hands-on activities about the day's theme. The (deliberately pixelated) picture is from our "Underground Treasures" event. It shows Rangers Amanda and Matthew introducing the youngsters to caving, before the kids split into smaller groups, conducted experiments about speleogenesis, tried caving techniques on a model cave (made of cardboard boxes!), and visited the real cave. And the bigger kids even surveyed and mapped parts of cave! I drew the giant size coloring book style murals with a sharpie, and the kids went wild on the coloring. (And in some cases, they added their own objects and characters to the scenes.) The kids ranged in ages from three to fifteen, and so we see some varied approaches to color. When I was three, I too was a natural abstract expressionist. The images here are a little less produced than the usual sketchbook and comics entries which appear on this blog, but hey, it's untrammeled like the imaginations of children....

 
 

NPS work is non-copyrighted.

Thursday, May 29, 2014

Ancient Realms (and Old Times) Revisited



 

I must give my props to The Museum of Ancient Life, at Thanksgiving Point, Utah. Its exhibits told chronologically the story of life on Earth, beginning with the unicellular, moving through the Precambrian seas, and on to that part of the ancient past which has long captured the imaginations of youngsters (and imaginative oldsters)--the Mesozoic Era, the age of dinosaurs (and gymnosperms!) The skeletons or replicas on display were set such that I felt like I walked through a jungle populated by the giant reptiles—sauropods thundered past, and raptors lurked among the cycads, poised to leap from the shadows or strike from above. Although they would rather eat me, I also thought of the dinosaurs as old friends from my youth, having populated my picture books and stop-motion movies, my imagination, and the typing paper which I filled with drawings by number two pencil, and colored pencil, and crayon. There was the ravenous Tyrannosaurus Rex, the horned Ceratosaurus, the giant turtle Archelon, the giant amphibians, the mountain-sized Supersaurus, and Pachycephalosaurus (interpreted in the display as using its hard round skull as a battering ram). The awe and fear and admiration I had felt as a child for these extinct beasts returned vividly; I survived my encounter with the Utah Raptor and departed full of blood and electricity. Many great fossils have been found in Utah, including those of Dinosaur National Monument (which straddles the border between Utah and Colorado.) At least for the moment, I was glad to be in this odd and beautiful state.







Photo stars from top down: Many skulls with Archelon at far left middle, giant amphibians, Supersaurus, T-Rex, some kind of theropod. Thanks go out to the couple of unknown bystanders who photographed me with the Dinos!

Wednesday, April 23, 2014

Wind Cave Passages, including mine on safety and ferrets, in comics form!

My fellow Ranger at Wind Cave National Park, Matthew Chuvarsky, recently sent me the final PDF of this year's version of the visitor guide (park newspaper), ready to go to press. All of us seasonal interpreters labored heavily for this production; and the final product seems to shine (despite its destination on newsprint.) I will link to the paper when it becomes available. Matthew and fellow Ranger Amanda Hagerty designed and wrote most of the contents. I must applaud their clever layouts and techniques, such as  the alternating pattern of text and images found on page 3, the gallery of notable speleothems on page 4, and the condensation of a complicated schedule into a highly readable table on page 5. I contributed the draft version of the text for the "summer" section of page 3, and--more notably--the illustrations and comics, interpreting the safety rules and the plight of the black-footed ferrets (and the text on the ferrets as well.)  Features like this are not found in many National Park Service newspapers. I must consider this publication a success, and a victory for me in bringing comics into a new educational venue. Readers young and old connect with the simple iconography and sophisticated narrative power of the comics medium. It makes a fantastic medium for communicating about National Parks and public lands, whether to explain the rules for safety and park protection, or to tell the stories of animals and plants, and evoke a sense of empathy for these residents of the great preserves. Comics have been used before as educational and interpretive tools for land protection: Grand Canyon's nonprofit support organization gives out comics featuring the superheroes Chasm and the Eco Squad (who protect nature against polluters); I have seen comics about the wildlife in Yellowstone (details unknown); the Forest Service distributes comics about fire education starring Smokey Bear; and the National Oceanic and Atmospheric Administration (NOAA) has contracted comic strip character Mark Trail and his current author Jack Elrod to communicate about the impacts of global climate change (and how to survive the resultant extreme weather!) (Mark Trail's original creator, Ed Dodd, was a Park Ranger at Yellowstone, where he guided mule pack trips.) A state park in Texas featured a brilliant cartoon sign about why not to feed the animals....
...which probably had some influence on my illustrations for Wind Cave. Having said all of this, there is a great deal more that land preservation agencies and organizations can do with the comics medium; it's potential applications are as diverse as the life in an Amazon Rainforest.

And so, I present my humble contribution to the visitor guide of Wind Cave National Park.

This was my original final product:


The park's Chief of Interpretation asked for some edits, some of which were carried out by Matthew after I departed the park. This is what finally appeared in the park newspaper:




I gave this project my best and fullest effort. I am happy to be part of our Visitor Guide. To steal a line from a skillful and hardworking maintenance employee at Wind Cave, "I aim to serve."

NPS publication cartoons are not copyrighted.

Thursday, April 3, 2014

A Humbly Joyful Anniversary

April 3, 2004--ten years ago today--was the date of my senior art symposium at Denison University. I shared the gallery with such luminary works as the paintings and prints of Harper Leich and the sculptures of Alison Johnson. I debuted A Humble Joy, my first published graphic narrative. I broke new ground, as the first-ever student at Denison to create a comic book as a senior project. Faculty mentor Ron Abram made it all possible. To celebrate, I have re-opened my etsy site, and posted a small number of copies of A Humble Joy for sale. Get 'em while they last. I'll sign 'em too.






Front cover and interior artwork for A Humble Joy, 2004

Sunday, March 30, 2014

A Walk with Tatanka




Knowing that my time in Wind Cave National Park ran short, I set out for another hike in the prairie. It was a mild and overcast day, the sort of the day the widlife would be out and about (without heavy rain or harsh cold to prompt them to seek shelter among trees or in ravines.) With my wide-brimmed hat, and backpack with sketchbook, water, etc, I jumped into my vehicle, with a planned destination of Highland Creek or Centennial Trail, both of which begin in the eastern part of the park, off of NPS 5, our dirt road “widlife loop.”

The previous evening, I had taken a saunter from Wind Cave Canyon to Bison Flats Trail, a trip which began practically outside my doorstep, and brought me across rolling prairie. Coyotes barked and howled back and forth in the graying evening. And of course, the prairie dogs did their backflips and high-pitched yelps of warning as I approached.

Now, I drove to the north end of the park and turned left onto road 5, prepared for more encounters with the prairie fauna, especially the large and charismatic. Greeting me on the rolling hillocks of prairie were three bison, one of whom struck a dramatic pose, with the waving grass around her, and the backdrop of angular orange-and-purple mountains behind. I started a pencil outline for an image in oil pastel, but the subject kept moving. And her cousins advanced towards the car, and I pressed the pedal and moved on.

At the bison corralles (so named for their role in the annual roundup) a throng of bison stood, moved in their slow amble, and watched the coming vehicle, distracted from their pursuit of grass. One was in Highland Creek, lapping up water.


I decided to go farther, to the trailhead of Highland Creek Trail. As I drove the car higher up and toward the open field, a herd of bison appeared. In my apparent naivety, I still hoped to hike on Highland Creek Trail, and pulled from the road onto its pull-off. 

 
The bison were a good few hundred yards away, and had their own business to attend to—or so I thought. With confident strides, the herd advanced toward me. The young ones, some yearlings, who looked like pygmy bison, RAN towards the mobile mineral deposit. They licked their lips as they ran, as though my vehicle were an ice cream truck. The bigger bison kept to an even walk, but also had their pink snake tongues dangling at the ready. The young ones reached me first, and the lick-fest began, like a Tootsie Pop convention. With the car's aluminum shell and glass windows separating me from then, I grabbed my camera from its holster and set to taking photographs. The car gently rocked under the barrage of licks. A larger bull bison swung his head to the side, and pushed one of the young ones away—a backhanded slap from a sledgehammer head. His larger size made this side of the car rightfully his, but his code. I knew it was quite unsafe to try to get out and hike, or even to open a door or window. I hoped that they would lose interest after a few licks. But it was not to be. Instead, through my rear window, the horde of salt-hungry thunderbeasts advanced. I restarted the engine, and very slowly backed out from the parking space. The bison, young and old, stepped aside for the moving vehicle, sometimes just an inch from its path. Nonetheless, they respected the metal beast in motion. I drove slowly down the road, And noted through the rear-view mirror that the bison followed. But when I sped up just a bit, they quickly vanished into the distance. Despite their fondness for salt, they wouldn't expend precious energy on running to catch it, save for the youngsters, rambunctious as children are.


En route back, I tried to pick up Centennial Trail, but found that it had its own crew of bovid guardians. The one in the creek was preoccupied in slurping water, but the others started their saunter towards my salty goodness. Grudgingly, I drove back south. I elected to try Cold Brook Canyon trail, since it was the only trail in this park which I had not yet hiked. After a flat and unexciting mile out to the park's boundary fence, and another back, I was still ready for more adventure. I and my wheels went back north, to the other trailhead of centennial trail. The southern trailhead was pleasantly nestled under a clump of ponderosa pines. Passing the signs at the trailhead that warned of bison, ticks, and rattlers, I went downhill.

In the valley, with walls of red rock ahead, I met a trio of bison. Their heads to the ground, munching tufts of tannish-yellow grass, the ongoing quest of the herbivore. I felt the beckoning of opportunity, and reached for my sketchbook. A medium-sized bull posed before me. He lifted his head and evaluated the bipedal ape. I backed away, until he lowered his head and resumed the grass mission. I went to my knees in the grass, and opened my sketchbook, and set to work with the pencil. The wind ruffled the pages as I went. I laid out the animal and its environs, and went to brushes and india ink. Once I was stationary, I became colder, and my one leg started to go to sleep, with weight on the knee, mooshed into the grass. I shifted my weight to the other knee, then stood upright for a bit. This wasn't a temperature-regulated studio. Out here in the field, I had to earn every line, and every stroke from dip pen or brush. I marveled at how Conrad Martens, George Catlin, Mark Catesby, and John William Lewin did it. Before cameras, this was how scientists and journalists and documentarians made field records. It still has its utility, although I had to acknowledge that one could shoot more than a hundred pictures in the time it takes to draw one. Today, I hear the debate over whether GPS will make people forget how to use maps. The debate over whether calculators would make people forget how to do math happened mostly before my time, but some of it carried over into my young days. But whatever debate happened over whether cameras would make people forget how to draw, it had ended before my parents were born. While artists lost some jobs to cameras, they also felt a new freedom, and took up abstract expressionism and the like.

I completed my drawing while munching a chocolate-flavored energy bar, which helped raise my body temperature (and made for a luxury not shared with the artists of yore.) Then I walked onward. A little further on, where I followed the trail dipped down to meet the stream, I met a large bull. This one scared me more, with his size. I shook a bit when he stared my direction, to make his judgement. I was either significant (as threat or competitor) or not significant. I backed away slowly, reducing my percieved level of danger. I needed to forgo the trail and bridge, and find a different place to cross the stream. Luckily, the bull lowered his head back to the stream, and resumed his drink. And I found another stream crossing, with only a little muck having penetrated my boot when I arrived on the other side.

I walked onward down the path, until it was time to turn around. As I came back, I walked behind the great beast. He strode through the path hewn by the stream. His muscles rippled as he walked. I had to admire the power of Tatanka—and try to keep my distance. As he turned and veered, and I strove to maintain a seperation of more than 100 feet, and so stayed well away from the trail.

The bull, in confident strides, approached the others. The three bison eyed each other, and stared and held ground, but took to sharing the space of the field. As this occurred, I continued efforts to keep far away, but also to get a few pictures. I still shuddered when one bison or the next stared in my direction. I looked to the forested areas and considered escape routes from a charging buffalo—I had learned that putting a barrier between them and me was wise, but had also seen the video where bison deftly went around the tree, to catch the man who had angered him, scooped him up with head and horns, and threw him into the air, like a rag doll. (Luckily, the man suffered only minor injuries.) Not wanting to be the next one, I kept clear, and walked along the edge of the fence, at the boundary of the field.


I passed by in peace, and back to the vehicle. Upon returning to my residence, I felt some weariness from the thrills of dodging bison, I ate some bean soup but fell into a short nap before I finished my tea.

It is glorious to be able to go for a walk near “home” and encounter the bison, the buffalo, the American icons, in their natural habitat leading their natural lives, and dodge them in one place then the next. It made me feel alive. And glad to be where I am, and to have experienced perhaps my last immersion in the grand prairies of Wind Cave. My next destination is Timpanogos Cave National Monument. A new cave, with new mountains, new forests, new territory, new people, and a new city nearby. I am not sure how long I can keep up the uncertain and unstable life of the vagabond ranger, but I must acknowledge that it has its moments of joy. I walked with Tatanka.

Friday, March 21, 2014

Vespa Returns!



I have some stories in the works, about encounters with herds of elk and the like. In the meantime, it is time for Vespa to make a re-appearance! The lady of the hornets rises and rules her domain. She and her wasps make war against those who despoil the earth. I recently started planning my third attempt at an origin story comic for Vespa, and advise all to stay tuned .... but don't hold your breath!